History
The root word "Krump" came from the lyrics of a song in the
1990s. It is sometimes spelled K.R.U.M.P., which is a backronym for
Kingdom Radically Uplifted Mighty Praise, presenting krumping as a faith-based
artform. Krumping was created by two dancers: Ceasare "Tight Eyez"
Willis and Jo'Artis "Big Mijo" Ratti in South Central, Los Angeles during the early 2000s. Clowning is the less aggressive predecessor to krumping and was
created in 1992 by Thomas "Tommy the Clown" Johnson in Compton, California. In the 1990s, Johnson and his dancers,
the Hip Hop Clowns, would paint their faces and perform clowning for children
at birthday parties or for the general public at other functions as a form of
entertainment. In contrast, krumping focuses on highly energetic battles and
dramatic movements which Tommy describes as intense, fast-paced, and sharp. CBS news has
compared the intensity within krumping to what rockers experience in a mosh pit. "If
movement were words, krumping would be a poetry slam." Krumping was not directly created by Tommy the Clown; however,
krumping did grow out of clowning. Ceasare Willis and Jo'Artis Ratti were both
originally clown dancers for Johnson but their dancing was considered too
"rugged" and "raw" for clowning so they eventually broke
away and developed their own style. This style is now known as krumping.
Johnson eventually opened a clown dancing academy and started the Battle Zone
competition at the Great Western Forum where krump crews and clown crews could
come together and battle each other in front of an audience of their peers.
"Expression is a must in krump because krump is expression. You have to let people feel what you're doing. You can't just come and get krump and your krump has no purpose."
David LaChapelle's documentary Rize explores the clowning and krumping subculture in Los Angeles. He says of the movement: "What Nirvana was to rock-and-roll in the early '90s is what these kids are to hip-hop. It's the alternative to the bling-bling, tie-in-with-a-designer corporate hip-hop thing." LaChapelle was first introduced to krump when he was directing Christina Aguilera's music video "Dirrty". After deciding to make a documentary about the dance, he started by making a short film titled Krumped. He screened this short at the 2004 Aspen Shortsfest and used the positive reaction from the film to gain more funding for a longer version. In 2005, this longer version was released as Rize and this film was screened at the Sundance Film Festival, the Auckland International Film Festival, and several other film festivals outside the United States.
Aside from Rize, krumping has appeared in several music videos including Madonna's "Hung Up", Missy Elliott's "I'm Really Hot", The Black Eyed Peas' "Hey Mama", and Chemical Brothers "Galvanize".[8] The dance has also appeared in the movie Bring It On: All or Nothing, the television series Community, and the reality dance competitions So You Think You Can Dance and America's Best Dance Crew. Russell Ferguson, the winner of the sixth season of So You Think You Can Dance, is a krumper. The original web series The Legion of Extraordinary Dancers also featured krumping in season one during the fifth episode, "The Lettermakers".
Style There are four primary moves in krump: jabs, arm swings, chest pops, and stomps. Krumping is rarely choreographed; it is almost entirely freestyle (improvisational) and is danced most frequently in battles or sessions rather than on a stage. Krumping is different stylistically from other hip-hop dance styles such as b-boying and turfing. Krumping is very aggressive and is danced upright to upbeat and fast-paced music, whereas b-boying is more acrobatic and is danced on the floor to break beats. The Oakland dance style turfing is a fusion of popping and mimeing that incorporates storytelling and illusion. Krumping is less precise than turfing and more freestyle. Thematically, all these dance styles share common ground including their street origins, their freestyle nature, and the use of battling. These commonalities bring them together under the umbrella of hip-hop dance.
Vocabulary
"Expression is a must in krump because krump is expression. You have to let people feel what you're doing. You can't just come and get krump and your krump has no purpose."
David LaChapelle's documentary Rize explores the clowning and krumping subculture in Los Angeles. He says of the movement: "What Nirvana was to rock-and-roll in the early '90s is what these kids are to hip-hop. It's the alternative to the bling-bling, tie-in-with-a-designer corporate hip-hop thing." LaChapelle was first introduced to krump when he was directing Christina Aguilera's music video "Dirrty". After deciding to make a documentary about the dance, he started by making a short film titled Krumped. He screened this short at the 2004 Aspen Shortsfest and used the positive reaction from the film to gain more funding for a longer version. In 2005, this longer version was released as Rize and this film was screened at the Sundance Film Festival, the Auckland International Film Festival, and several other film festivals outside the United States.
Aside from Rize, krumping has appeared in several music videos including Madonna's "Hung Up", Missy Elliott's "I'm Really Hot", The Black Eyed Peas' "Hey Mama", and Chemical Brothers "Galvanize".[8] The dance has also appeared in the movie Bring It On: All or Nothing, the television series Community, and the reality dance competitions So You Think You Can Dance and America's Best Dance Crew. Russell Ferguson, the winner of the sixth season of So You Think You Can Dance, is a krumper. The original web series The Legion of Extraordinary Dancers also featured krumping in season one during the fifth episode, "The Lettermakers".
Style There are four primary moves in krump: jabs, arm swings, chest pops, and stomps. Krumping is rarely choreographed; it is almost entirely freestyle (improvisational) and is danced most frequently in battles or sessions rather than on a stage. Krumping is different stylistically from other hip-hop dance styles such as b-boying and turfing. Krumping is very aggressive and is danced upright to upbeat and fast-paced music, whereas b-boying is more acrobatic and is danced on the floor to break beats. The Oakland dance style turfing is a fusion of popping and mimeing that incorporates storytelling and illusion. Krumping is less precise than turfing and more freestyle. Thematically, all these dance styles share common ground including their street origins, their freestyle nature, and the use of battling. These commonalities bring them together under the umbrella of hip-hop dance.
Vocabulary
- Battle: when competitors face-off in a direct hi
dance competition where the use of arm swings and chest movements known as flares
and bucks are common.
- Biter: someone who attends sessions or watches
battles in order to feed on others' styles and originality so that they can
mimic those moves later at another battle and pass them off as coming from
their own inventiveness i.e. plagiarism.
- Session: when a group of krumpers form a circle,
or cipher in hip-hop context, and one-by-one go into the middle and
freestyle.
- Buck: an adjective used to describe someone
who excels in krumping.
- Call-Out: when a krumper initiates/requests a
battle with another dancer by calling them out.
- Labbing: when krumpers get together to create new
moves and/or adapt their style.
- Kill-Off: when a krumper performs a set of
movements that excites the crowd to the point where the battle is over and the
crowd surrounds the krumper; the opponent is "killed off."
- Jabs: short, sharp, staccato movements when
the arms extend from the chest outwards.